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Wednesday, November 11, 2009

Not Far From My Thoughts Today

It's Remembrance Day today.... and while my mind is on the current troops 'in harm's way', I also think on the contribution some of my family has made in years past.

This is my paternal great grandfather Edwin Barton, who served with the Royal Artillery in WW1 and his wife, my great grandmother Elizabeth (nee Bowers) Barton. The young infant on their laps is my great Aunt Eileen, who is still with us in her 90's. They had four daughters: Eileen, Louisa, Edie and Bessie. Louisa was my grandmother and youngest sibling Bessie is also still with us in her 80's. Wars have literally shaped lives and my great aunt Bessie was one of the British war brides that came to Canada after WW2.

My father served in the British Royal Navy, starting at age 14. I found a great picture of him wearing his Royal Navy uniform in London 1955.

He was a Chief Petty Officer when he left the service after spending time in south east Asian waters. My father always attended or participated in Remembrance Day services and I can recall seeing him march or stand at the cenotaph on duty. He continued his service to others by being a police officer for many years.

Now onto my maternal side of the family:

This is my cousin Simon in full dress uniform of the Queens' Horse Guard. He recently left the British Army after serving as an officer in Bosnia and later Iraq in the tank brigades. (To be truthful, I'm not certain of his unit) He is now in civilian life.

My mother was one of three daughters. Below is my grandmother Emma (nee Worden) Way in approx 1918 in her Wren's uniform. She served at an naval airship station in Kingsnorth, England.


This is my grandfather, Trooper Owen Way R.M.L.A WW1, her husband. He also served in the Home Guard in WW2. The First World War was also known as the War to end all Wars and so there was a huge patriotic push for everyone to do their part.

People think that soldiers and sailors have some kind of special nature or aptitude to be called to serve their country. Then, as now... they are simply the ordinary sons and daughters of ordinary people like you and me. While reasons for why such duty is needed may be questioned, their courage and sacrifice should never.

Thank you from a grateful Me.


In Flanders Fields

In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead.
Short days ago
We lived, felt dawn, saw sunset glow,
Loved, and were loved, and now we lie
In Flanders Fields.

Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders Fields.

John McCrae, a Canadian medical officer

Sunday, November 1, 2009

GCW Weaving Exchange: Results!

Big 'thank you' to Lynnette for sending me this photo of all the runners in the exchange!

This is the one I received!


I've been a member of the Guild of Canadian Weavers for some years now and four years ago, a weaving exchange was re-introduced to the members. The annual exchange has seen tartan tea towels, then card inserts, guest towels and this year, table runners. Lynnette has taken on the role of hosting this event for the past couple of years and does a wonderful job of wrangling weavers into a schedule with firm (?) deadlines! It must be fun to have all those parcels arrive and seeing what everyone has woven up.


This year the plan was to weave a runner, then get a runner back. I dropped mine off in person this past September when we were there visiting. So I have had a bit of a wait to see what was coming. I received a lovely runner in soft greys in summer and winter, woven beautifully by Patricia, of Prince Edward Island. It's in 2/8 cotton and I must say that 2/8 cotton has never looked so good! Thank you Patricia and Lynnette.



The parcel also includes the draft and record notes so that you can reproduce the pattern. Below is the runner I submitted and Patricia received and to refresh, it's 2/16's cotton sett 36 epi with 2/30 linen weft. This past week I attended a demonstration on the features of Fiberworks-PCW weaving program by program designers, Ingrid Boesel and Bob Keates. They recently relocated from Guelph, Ontario to Salt Spring Island so are practically neighbours here. I learned a lot about the program and how to use it more effectively for designing. One nice fringe benefit of the demo was on how to capture the drafts and so I can show you them here at the blog. So below is my first effort! Next up is how to make it large enough for you to read :) I'm working on it!

In the mean time they have a free demo program at their page. Its the full Bronze or Silver program and it will do everything except 'print' or 'save'. If you like it, then you pay and get an authorization code. It can be on up to three computers in your home. I have the 'Silver Plus' and enjoy playing with it very much and must say that my record keeping has improved tremendously since using their record template. ( I recommend getting the discs sent to you later and buy the hard copy manual. Crashes happen!) You can see what your project will look like on the loom, try different colours, check for floats, and even view the back of the cloth. Good bye graph paper and coloured pencils!! I'm a happy customer for sure....

Edit: Thanks to Louisa for telling me that if you click on the draft, it will 'embiggen' the tiny draft!

A note to Mac users: they are working on a program for you but it is being written from scratch. They are establishing which versions of Apple / Mac programming to include as it seems you get a lot of upgrades. When its released it will feature many more items that we PC users will have to wait for in a future upgrade. In short it will be worth the wait!


The 2010 Olympic Torch Relay was through our little town yesterday as it starts it's long, long journey to all parts of Canada and ending up at the Games held in Vancouver and Whistler, this coming February. While I was on my way to another event ( post on this next time) it was wonderful to see kids and parents all excited about the relay. The day was glorious and full sunshine on a fall day. On second thought, maybe the kids were more excited because it was Halloween....

Sunday, October 25, 2009

I'd like to Introduce you to Dorothy

This is Dorothy and she lives near Lockerbie, Scotland. Then, here I am way over here on the west coast of Canada.....so how did we meet? Well, the internet of course! I have a Ravelry account under the name 'weever'. Ravelry recently made it possible for weavers to list their projects under the heading of weaving over the previous two catageories of knitting or crochet. We may be a smaller group there but we're now bonafide! (Basically infilitrating knitters from the inside out :)

This past August, I received an email from Dorothy via Ravelry's message mail. It seems she liked the way I finished off my handwovens and she said:

" I am just about to start a 10/2 tencel project, probably a scarf as that seems like a manageable first time fine weaving exercise. My loom is a 4 harness 6 treadle harrisville 36” wide so not nearly as sophisticated as yours. Would you advise me to use a twill pattern with a tighter sett or a plain weave on 24 ?"

Dorothy had also seen the eight shaft snowflake twill runner in my gallery there and was pleasantly surprized to hear that she could weave a snowflake twill on four shafts! I photocopied a draft by BC master weaver Laura Fry from an old Weavers magazine and sent it to Dorothy, along with some samples. We have been exchanging emails since and sharing ideas on weaving. We're also getting to know one another and becoming friends and who knows, maybe one day we'll meet!

Some of Dorothy's questions were about weaving with tencel as she has some special cones and never woven with tencel before. Judging by these photographs she sent me, she's comfortable with it now! It would also seem that I have started something in her home as she's acquiring new tools to finish her handwovens and her dear hubby is helping and recently bought her a new sewing machine! ( now, he's a keeper!) He's also a great photographer....

The shawl looks lovely! Wonderful job Dorothy. Below is a close up of the pattern:

The last picture shows how Dorothy took my fringe twisting tutorial to heart! She bought the foam board and a fringe twister and got busy!
(I'd love to hear from you if you have tried any of the methods decribed here and how it worked for you. My contact info is listed on the right hand side. )


I am so happy to find that what I share here is actually helping people. Most satisfying! I feel like a proud Mother Hen :)
I invited Dorothy to be guest on the blog and so I will give Dorothy the last word here!

Hi there ! My name is Dorothy Stewart and I live in south-west Scotland in a place called Lochmaben, very close to Lockerbie.

I am a self taught weaver of five years, using a 4 shaft Harrisville 36” floor loom. My weaving has been very intermittent and based on wool scarves and shawls interspersed with tea towels ! Very basic stuff and my daughters are now dreading this year’s model of tea towel !!

I have always had a yearning to do something much finer and on a visit to Halcyon Yarn about 3 years ago I bought two cones of 10/2 Tencel, one purple and the other slightly off-white. They have stayed on the shelf until now as I didn’t really know what to do with them.

I found Susan on Ravelry earlier this year and signed up to her blog, which I found fascinating. The pictures of her weaving projects on Ravelry were just amazing and something I longed to be able to do myself. I learnt so much from the tutorials on her Blog.

In August, I plucked up courage and rather cheekily e-mailed Susan to ask for advice. Her response was amazing ! A parcel arrived at home with copies of the Snowflakes and Stars draft for four shaft looms. They had been prepared by Laura Fry and published in Weavers. I was instantly inspired to get started with my Tencel. Susan has provided loads of support by e-mail and over the last few weeks I have managed to complete two Tencel scarves using the quite complex twill draft.

I was able to follow Susan’s detailed instructions for fringe twisting and finishing from her Blog and as a result have two very professional items of which I am very proud.

I will never match Susan’s level of expertise nor the degree of complexity she demonstrates in her amazing weaving projects but I have certainly moved up a level from my rustic woollen scarves and tea towels !!

Susan has been a wonderful mentor and it is amazing to think that many thousands of miles apart we have established such a friendship. The power of technology nowadays is something else. It is so easy to keep in touch and share experiences. I certainly hope to continue to develop, in fact, my next project will be place mats in Bird’s Eye Twill. This was another draft in my ‘surprise parcel’ from Susan !

Suddenly, I am motivated and inspired to do more weaving and my thanks must go to Susan for this change. Knowing, that she is at the end of an e-mail is just wonderful and I feel very honoured indeed to be invited to be a guest on her Blog.

Monday, October 19, 2009

The Dancing Ladies

I thought it was time for a little weaving relief and so hubby and I went for a drive yesterday. We headed north and went to a city call Nanaimo. Although we were shopping, it was a great day as we took time to photograph some fall colours. The trees above are 'sisters' and belong to a long and large family. We have been living in our present home and community for just over 2 years now and are heading into our third winter here. I noticed these special trees two falls ago and they literally come to life this time of year. Have you ever noticed how trees become a solid wall of the same green each spring and summer... but then in the fall, they become individuals as they play out their last gasp. I know that I for one miss the vivid greens of summer during the winter months. I resort to looking at my green ferns out my kitchen window for my green fix until the snow covers them.

There is an avenue of ten trees and another by the large home at the end of the drive. They have whimsical branches that give them the appearance of being whirling dervishes.... or better still, Dancing Ladies. We stopped and took these pictures but didn't get any closer as it is someones private drive, but I'm thinking of asking their permission to shoot them closer. The home has a lovely vista looking due east...over rolling fields ...


This is their view. I sure wish I could convey more adequately how open and rolling this terrain is! Lush and very pastoral. I live a bit north of this road about 1 1/2 kms away. Between the notch of the hills lies a little community called Maple Bay and then an island, then the waters of Georgia Strait. Beyond is Vancouver, or as we call it "The Big Smoke", approximately 22 miles away as the crow flies ( or the ferry sails) We call it our moat.

The hillsides that you see on either side way off in the distance are Mount Maxwell on the left and a large hill to the right and both are on Salt Spring Island.... home to Treenway Silks, Jane Stafford Textile Studio and much, much more.
It's just there, and oh so close! I keep my 'draw bridge' up as I would be beyond broke if I took the leap and went island hopping! (My husband likes it this way too!)

Just south of our town of Duncan, a new public retail weaving studio is being set up and opened soon. The weavers in town are hoping that the owner will offer retail weaving yarns to go along with her weaving classes! Be nice to get a local quick fix when we're caught short. I hope to feature the studio in a future post and introduce you to Leola.
I have something special for my next post... a guest blogger! Stay tuned...

Wednesday, October 14, 2009

Teaching An Old Dog New Tricks

Notice anything different here?


There are no sectional rakes on the back beam. I decided it was time to try something new on Emmatrude.. to up my game! I love the evenly tensioned warps and effective method of beaming them on my Louet Spring 'Lilibet', so I wanted to see if I could transfer those steps to my Swedish style big gal. She doesn't have a built in raddle so I dug out the raddle that came with the loom (and never used!) First up was to wind the warp. It's 2/10 mercerized cotton, sett 28 epi for twill. (I'll discuss the draft later.) The warp is 9.5 yards long and I'm looking for a nice big mess of tea towels from it! As much as I weave towels here, they seem to leave as fast as I make them! There are 650 ends in this warp. This type of warping needs to have an even number of warp ends as I'll be slipping a rod through the uncut loops of the warp. So if its an uneven number, add one more!


There are four colours, black, white, red and grey, wound in a sequence of 16 ends each, repeated 10 times, with a final stripe of black for a matching border of colour either side. The black borders on either side also have an additional 4 ends. The warp at the top left corner is my smooth continual loops, right beside the cross. I 'crocheted' chained the three warp bouts starting at the bottom and stopped within half a yard from the top... and then prepared to marched it over the loom. BUT...


I had to stop and think things through and how to proceed. What will work here? I lashed the raddle to the top of the back beam. I decided to find the centre point of the beam and then centre of the apron rod. This also included the raddle so all parts will be easier to line up when necessary! I left the top wooden rail of the raddle in place for the time being (it lifts off).


Below I have marked the centre of the metal rod with green tape and marker pen and then using seine cord I tie a support one inch away from the main apron rod. See below.


Then I carefully loop the warp bouts onto the metal rod, being careful to get the colour order right! Tied another support cord on the right hand side. Then I noticed that the whole situation was heavy and wanted to flop down. So I used cords to support the weight of the rods and warp in an upright position.


Pictured below is where I had to tie cords onto the wooden rod and bring up over the back beam/ raddle. The warp went over the top of the raddles and across the tops of the shafts and to the front beam. This support tie would only be needed until the rods were wound onto the warp beam and then can be removed. Okay, that's under control... now what about lease sticks? The best spot for those seemed to be the big open space behind the shafts so I tied the lease sticks into place, using the side supports to secure to. Notice that I tape the ends 'just in case'. You only have to have dropped them once! There are also loops through the cross as well, another back up! The lease sticks can slide to and fro on these cords which is neat. When winding on, if the lease sticks meet a tangle, the sticks move, alerting you to a potential problem.


This is how it looked from the front. There is no reed in the beater and there is a wrap around the front beam to hold things steady. Now I remove the cross loops. That sucker is corralled tight!

I used a piece of thin card board over the raddle tines when I took the rail cap off. Took my warp width and divided by two... and found the right far right slot I needed. I simply leaned forward and counted off 28 ends and dropped into the slot. I worked my way across and then replaced the cap rail. Edit: I then lash the entire length of the warp between the metal bar and the wooden apron rod. I lace every one inch or so and tie off. I started to wind on and so far, all is going well! The rods are now on the back beam, so off come the support ties that held them upright. The paper was slipped in and I balanced my time between slowly turning the warp beam and moving to the front to strum the warp to remove tangles and strongly pull out any slack. Then at the back I pull straight down on the paper to remove slack there as well. So, back and forth for the whole 10 yards. No big tangles, no snapped threads. Things are going great!


Now my attention shifts to the front of the loom and I'm getting ready for threading. But looks at the size of the gap between the lease sticks and the back end of my 12 shafts! That's going to be a big lean in to reach them. I tried to thread about 2 inches and then I decided to make some changes. I went back to my old method of hanging the lease sticks using cords from the upper beams of the castle. It worked well for me so no point discarding what was clearly a better technique.


As you can see, it really moves them in tight and makes it easier on the operator! I'm all in favour of that...

So lets shift our attention to the threading. I have a little system I use. I have my sheet with the threading on the knee beam and I work it into logical groupings. In this case the threading is: 1,2,3,4

1,2,3,4,5,6,7,8

1,2,3,4

It's a simple twill and I was inspired to do some towels after seeing a similar threading in an old Weavers magazine. For this threading, I pulled two heddle groups of 1 to 4, then two sets of heddles 5 to 8 . Then I concentrate on the first four heddles .

I reach through with my sley hook and open up the four ends and slip my fingers through the four ends. Trust me this happens a lot faster that it takes me to write this or you to read it :) Then with the free thumb I move from heddle to heddle, using the thumb to brace the heddle as I slip the hook through and pull the end through. The thread being held under tension means it's easier to snag and deal with. Texsolv heddles do eventually loosen up with use on the loom and they are then easier to shift. I use the side of the reed hook to slide them over and then start on the next group. Once all 16 ends of a colour grouping are done, a quick check and then secure with an over hand slip knot... next!

It was hard to hold the hook in place and take the picture!


Okay, threading done, next came sleying the reed. In this case I'm using an 8 dent reed, sleyed '3, 4' for 28 epi. Once done I divided into smaller groups and then tied to the front apron rod on both sides to support the rod and then worked my way across the warp tying on.

Once all are done, then start on the far right bout and snug each group up tight, complete the knot and **quickly** move the next group and smartly race across the warp! When done, using the palm of your hand roll your hand from LEFT side back to the right, easing up as you roll towards the far right. Do this 2 or 3 times and then stop. Walk away and do something else for 20 minutes. When you come back the warp tension will be even. {no matter how fast you move tying from right to left, the right side will feel 'looser' when you are done. You'll want to tweak the warp endlessly! Jane Stafford demonstrated this on the Louet DVD on warping and this WORKS!} An old post of mine that shows this technique on my Louet loom is here. It will show you the process I'm trying to dupicate on the Woolhouse Tools loom.

Then I went to the back of the loom and pulled my tie up cords. Eight treadles and I selected the centre eight for convenience. Almost there! Should be weaving soon...

Wound some pirns and got my shuttles ready....

Then as I walked by the loom I noticed this.... see below.... oh, crap! I seem to have a hitch in my giddy up.... look at the warp line from the back to the front.... *sigh*


I was so focused on getting details right, that I missed this point entirely. The raddle sat on the top of my *second* back beam. THREE inches higher than the normal beam. In my old method, I would slip the lease sticks through the gap. Below, see the extra height on the back of the warp. I have looked at this several times and I can't see where else the raddle could have gone unless I take the entire second warp beam off the loom and I really don't want to have to do that. So I hung my floating selvedges over the upper beam as well. But in the test piece woven with scrap yarn, I had a hard time finding the floaters to move the shuttle over and under. So I moved them lower to the normal back beam. Much better.

So will this warp weave up okay? Do I have 10 yards of 'heaven or hell' ahead of me? I decided to go and weave on my Louet instead .... but that's 'nuther story!

Back soon.... (tee hee)