So do you like a purple shimmer?
This post today is one that has actually been preempted a couple of times as one or another topic pushed it to the back burner. Our area has been hit hard by flooding after a few days of torrential rains. The town is full of big name media trucks looking for the story and the images for night time TV news. While our home is okay, our lower property was flooded by our normally gentle creek. We had our own private lake for a time! The water levels have dropped thankfully. Further down the road and closer to town, approx 300 homes were flooded out and now a wet, soggy mess. It will be many months before they are any where back to normal again, if ever. Many lost all pictures and family mementoes. So now due to dealing with matters here at home, tradespeople and Christmas shopping, not much weaving has happened.
This project is simply too pretty to hide for any longer though! The goal was to get some 'eye candy' scarves for the recent sale and to personally revisit the concept of iridescence. I took a three day workshop with Karen Selk of Treenway Silks back in 2000 or 2001, called 'Silken Kaleidoscope'. It was about putting more colour into your projects and trying varying types of silks for different looks and textures. I had been reviewing the workshop notes Karen had given each student and saw the page on iridescence. You use two similar grist (size) yarns in colours in tones of equal values. In the workshop we had used 2/60 silks in colours like a rich magenta and a deep teal. They were woven (slowly on table looms) in plain weave. The effect? Stunning! Think about some of the beautiful iridescent Indian sari's you might have seen... People are fascinated by this effect and love the chameleon like changes depending on how the light hits the cloth.
I chose a rich teal in 2/10 tencel called Persian Blue and the first weft was emerald green 2/10 tencel. It didn't take long to see the effect. My pattern is a well modified draft inspired by a Design Collection issue. I was looking for something quick to throw on as the sale was looming. (sorry, couldn't resist! :)
I had altered this draft using my Fiberworks - PCW program and expanded the pattern so it has plain weave plus much more of the delightful fancy twill which makes it completely reversible. So this sett is 24 epi and uses 8 shafts and 8 treadles, but iridescence can be done on 2 shafts and 2 treadles if you weave plain weave. For best effect, use very fine yarns.
Here is a snap of the pattern below. It looks quite complex but is an 8 shaft pattern and uses 8 treadles. It's how you put the treadles together of course...
The demolition and chaos start right after New Year's.... with the floor possibly coming out sooner so it can dry properly. Do you think I can weave through all that? I sure hope so!
One last shot... it's so darn pretty!