Sunday, May 24, 2015

Running into the Learning Curve


There's the loom line up.  A beautiful day with patio doors and windows open for the warm breeze, good tunes on the player and the room freshly tidied.    There is a possible offer on the Woolhouse down at the far end and I won't know for sure until July. The Louet Spring in the middle has a silk warp under way.   Yes, that is a live weaving program on the screen there next to the Megado and weaving is once more under way!

It was quite a process to get it to this point. First of all you avoid dealing with it for months, then you make a feeble attempt just before you have surgery and Christmas and it was obviously doomed to fail. 

Then you have two friends who gently, very gently embarrass you into looking at it again.   :)

I worked on getting the sixteenth shaft aligned properly.  Then next up was making my mind up as to which version of Fiberworks I was going to use.    PC or Mac.   Having seen both versions of the program, I decided Mac all the way, in both design and weaving operation.   

I think part of my previous 'rut' was that I designed in the Mac program and wove (or tried to) in the PC on a tiny notebook and I was trying to learn and run two programs and two operating systems.    Double the Fun!  (Um, not really.)

This Megado is one of the earlier models from 2002 and so it uses a serial port to USB cable between the interface and the computer.  That requires loading a driver onto your computer to run it.  Simple enough to do right?    Not really...   My Mac Air has no disc drive internally and so I must add one externally. But after buying an Apple external hard drive,  it would not accept the small mini cd, only the normal sized cd's.    So then  you plan to take it to the local technology store and get them to load it onto the computer.   Simple right?   not really...

The chain of stores ALL closed their doors as they under go a reorganization and will remerge as another chain of technology stores.      "We thank our customers for their patience".

Finally they got the stores re-open, and my computer and mini disc all together at the computer 'geek'  desk and it took one really nice tech guy five (5)  minutes and  no charge.   Geesh....

Next up in this little drama is the various diagnostic testing to see if everyone is happy and shaking hands with each other!    Found the right comm port right away!   Since I only have two USB ports I had a 50/50 chance of getting it right.     Yeah me!

Then I ran the solenoid test. The solenoids are like little 'wack-a-moles' that fire when the computer tells them to, from the pattern it has in the draft, pic by pic. They jump out and hit the back of what looks like piano pegs and then a knife like blade moves up and down as you treadle and collects the screw heads on the other side of the pegs that are sticking out proud and then releases the screws  when the blade moves past another sensor.

Well its supposed to....  the treadling sensor diagnostic test failed.  

So it wasn't the computer at fault,  and all parts of the loom were functioning properly except for the blade and the magnet.   The magnet is what tells sensors to release the 'pegs' at the right time.   Its small, very strong and apparently in the wrong place. 

So my next test is to double check the sensors to see if the fault lies with them. So off comes the interface and I run the magnet by them and ....presto.... they work!  Huge sigh of relief!   They would be very expensive to repair or replace and involve a road trip to be fixed to eastern Canada.    If I can't get a holiday there, they sure aren't if I can avoid it!  :)

So? place the magnet on top of the blade or underneath?   A simple question right?  no....      I had to read through the older manual that came with my loom. A second newer manual for later models, surf You Tube in vain for Megado how- to videos, join a multi shaft  comps / dobby group on Facebook and spend time browsing on the internet looking for pictures.   

Finally I found a how to guide in Dutch for the older model interface  on the Louet European web site and found that the magnet goes on the inside of the blade.   They show a white magnet in this picture, but mine is black on a black bar.


You can see the piano pegs that the solenoids hit and below you can see the interface (like mine) placed back on the side of the loom. The magnet is tucked behind the cutaway.

photo credit: Louet NE

Except on my loom the blade and magnet won't freely slide by  the sensors and it jams up.  The fact it would not slide freely is what caused my confusion as to which side it belonged.

So we undo two small dark screws at the bottom of the interface out by one small turn and put it back on and the bottom edge is now out a smidgen  and the blade / magnet combo clears!    

But it still didn't work.

We had a break and a discussion about the various possibilities.  Bruce had mentioned something about positive and negative polarities and so I just reached in and flipped the magnet over.   

....* and it worked!* 

We cautiously smiled to our success as we were worried about what was next to go wrong. Earlier that day I had dropped my iPad onto a tile floor corner point down and it was not turning back on.  It was a "black screen of death" for hours until I gave up on it.  Of course later the same day when I took it in to be looked at by a techie, it worked perfectly like nothing was ever wrong. In fact if it wasn't for the slight ding at the corner, you would never know. 

So was it worth going to all the this trouble and steep learning curve?   Yes.... the Mac program and its commands are much simpler than the PC version, well at least to me me that is.  I was able to set the ranges for what portion of the draft I want to weave right away and  now I have to learn the finer points of un-weave  vs. reverse and few other points.   

I have a narrow 2 inch warp on the loom for 12 shaft twill book marks and the neat thing is I can start and stop where I need to as I learn and makes mistakes.  If I do get a full one all woven up, then its a bonus!    I'm already thinking of what to weave next on the Megado and I think it might well be more towels as they are a great fresh start experience until you get all the nuances of the loom and the way it feels as you operate it.  

On a personal note:

My Dad is still with us and is enjoying a new, more modern, brighter hospice, but the fact remains that its a hospice...

The grand kids are growing:


Ethan's first haircut


Thomas the Tank bicycle for  Ethan's 3rd birthday.


...and little Madison is now 2 1/2 months old and very much all girl. 




I hope your 'April showers' brought you 'May's flowers'.


Tuesday, May 5, 2015

Highland Heather


Are you following the television show Outlander?   Are you a reader of Diana Gabaldon's series of books?   I have been reading them for years and so the show is a nice extra!  I must admit to watching and thinking... "hey, that wasn't in the book..."  but they can't always translate every detail through to a show or it will take a zillion years to get the nine (yes- 9 and counting) books out!

I have always loved the interplay of colour that comes with plaids and tartans. Now, if I recall rightly, a plaid is any arrangement of stripes of colours that is also UN-registered. A tartan is an officially registered colour arrangement and associated with a clan, organization or person. Well, I think this is right.  This Wikipedia post helps define the terms and history.  You can also visit the Official Scottish Register of Tartans some time and browse. The Scots went around the world after the Battle of Culloden  in 1746 so most people can find a wee bit o' the Scots in their ancestry!

A few years ago I wove up Mackenzie #2 tartan as part of a towel exchange for the Guild of Canadian Weavers. It was bright and bold and challenging to weave.  Here it is on the loom and under way.  A true twill line is forty five degrees and you must be careful not to pack the selvedges in.   Sett is really important and regular even beat!   It was the first time I wove a long length of yardage and then cut apart for towels after.  

I always remembered enjoying the experience and wanted to do it again.  With my leftknee bothering me of late, and using lighter four shaft patterns, now seemed like a good time!   I decided to use only what cotton was in my stash and I found that while I have a lot of 8/2 cotton, there's not a lot of any one colour except for the ones I found to weave these towels!  (It will be a challenge to use up the rest...)

I had recently purchased a warping mill as it was hard to stand still in one spot to wind a warp on the board.  This plaid was my inaugural warp on the mill and I was up to speed in no time!

Beaming and threading went well and I used the two stick start:


It just takes the threads and spreads the warp nicely and gives you a firm base on which to make a start!  I did use a temple as "draw-in" happens!  I just repeated the basic colour line up in the warp and repeated over and over again.... for all 8.3 yards! This is 8/2 cotton from Brassards in Quebec (love their quality!) and sett at 24 epi. I used a twelve dent reed. The warp is just over twenty five inches in the reed.  I'm allowing for draw in and shrinkage. I planned for seven towels at thirty four inches each (before hemming) and twelve inches for some samples (plus twenty inches loom waste).


Okay... the weaving part.  I sat when ever knee and time, or even mood,  allowed.  So it did take some time to slowly work through.  We had a trip away to see my father one last time at the hospice. That was, to put it mildly, a gut wrenching experience and I came home quite numb. It was wonderful to have the (sometimes frustratingly) endless  repeats to focus on and simple weave away, and weave some more. 

Soon I noticed the warp roll at the back was much slimmer and the cloth roll getting some nice heft to it!



I wove right to the back of the four shaft heddles and used a stick shuttle for the last few inches .  I cut it off the loom and had a literal arm load of fabric!


I had scrap yarn at the start and end of the warp which I serged neatly and then popped it all into the washing machine for a soak and wash.  After coming out of the dryer I pressed it all using steam.  Its time to cut the towels apart.


I measured the planned thirty four inches but it ended in the middle of a pattern area.  I guess that's okay but remembered my post about the Golden Mean and thought I would use the  computer program to help me with a nice proportioned towel.   The twenty five inches at the reed was now twenty three inches after washing and pressing and as you can see from the picture below, it recommended thirty seven inches!    Way too long!
Then I noticed that thirty five inches ended in a good spot with a natural cutting line.... all along the entire warp! So white section of hem on one side and the ending of a large dark colour block on the other.  It works!


So I got busy and started removing the scrap yarn sections and cutting apart towels.   I ended with six towels and some small amount of samples.    Where did towel seven go to??   I ran through my calculations again and I had done them correctly.... so it would seem the take up for a 2/2 twill is far greater then allowing for three inches for every yard woven. Even allowing for the additional six inches lost to slightly longer towels.   An entire towel's worth in fact!   Geesh. 



I did a simple small turn over for hems and pressed and pinned them.  One end was stitched using white cotton thread and the other end black thread. This meant that half was done by day light so I could see and the other could be done while we watched TV. They were already washed so a final steam press was all they needed.   Time for their "beauty shots"!


This three of them all draped on the dining room table, with an old dirk  letter opener we have had for years. Lends an air of authenticity I thought...


The cloth is lovely and soft to the hand,  drapes well and the interplay of colours is lovely.


Here are four of the towels as the last two are to be hemmed still. 



Here's the basic draft to show you my colour arrangement.  I used what I had to hand and then used the Murray tartan's basic striping to place my colours.  There is a yellow fine stripe and I choose a soft butter yellow over the brighter ones normally used.  (Reds didn't go with this grouping at all.)


Why not try working up an plaid arrangement of your own? Its quite fun and a good way to use up yarn.  I found this Isle of Sky tartan on line recently and thought it would be lovely to try next?  I love the colours and think its quite feminine.... a shawl or arisaid perhaps? (visit that link to learn all about Scottish clothing, names and how to wear it properly)


Thank you for your patience waiting for  my posts during a sad time for our family....  I'll leave you with a shot of the flowers we took to Dad on our recent visit. He loves roses...



Saturday, April 11, 2015

Every Poppy a Life


I'm sure that you will recall  these vivid images from The Tower of London late last summer and fall!  There was a monumental art installation to commemorate the 100th anniversary of World War One.  Back then, it was not called  World War One, but  The Great War.  The war to end all wars. (They didn't know a second terrible war was yet to come, and others after that.)


It was called Blood Swept Lands and Seas of Red and the artist responsible was Paul Cummins.  Each poppy represented a British or Colonial serviceman who died 1914-1918.  The ceramic poppies were stamped from clay, shaped by hand, and fired in a kiln....then spray painted the familiar brilliant red of poppies.   Secured to a stake with rubber grommets, each one of the 888, 246 were placed by hand in the surrounding area around the Tower walls in what is (was) the moat.  

I have placed a few interesting links through the post that you might like to browse if interested.

{Interesting note: This moat area was also tilled up and made into a vegetable garden during World War Two to provide food}


I'm sure the white stone Tower walls are no stranger to blood and pageantry. Note the arrow slits in the tower walls for defense by archers.



Very visually striking display!  There was even an arch of poppies over the main walk into the Tower grounds.



What staggers the mind is the sheer volume of poppies, or servicemen who died....



As viewed by air...

Bruce had a great uncle Charles Herbert Harvey who died at Vimy Ridge in 1915 at age twenty eight. I had two grandparents who served, and survived, World War One.  My grandfather Owen Way (1896-1962) and Emma (nee Worden) Way (1898-1980)






My Nana served at Kingsnorth Airship Base where they brought in the large airships. There was a book written on the base last year and I was able to submit my grandmother's  information and picture to add to the pages of service people at the base. { Kingsnorth, Kent, became an airbase for fighter planes during World War Two}

Subsequent family members were no stranger to the Tower of London either.  My paternal grand parents lived in a few areas of Kent and finally London. Below is my grandfather Reginald Waterfield holding an infant son Frank, who is my Dad.  They are standing at an iron railing by the Tower of London, circa 1931-1932.   Grand Dad was an old time plasterer and did the wall and ceiling decorations in many stately manor homes around the south of England. His wife, my Nana, was in domestic service at a manor and this is how they met. Not really 'Downton Abbey' but perhaps the poor man's version!



It just so happened that in late July, early August last year my brother and his fiance Jacquie were in London as they were just beginning to set out the poppy installation.  Here's a photo taken by Kent of one side of the Tower of London.... and around the corner the poppies were just starting to be laid out to create the walking paths. 


We decided to purchase  a poppy last September and then we had a very long, long wait. The poppies were left in the moat until Remembrance Day,  November 11th, 2014 and the services held for the fallen.  The people wanted the poppies to stay longer and some even wanted it to be permanent!  But the next day the dismantling began. One by one they were collected dismantled from the their stakes and trays loads of flowers went through a washing and drying process. Packing and parceling up and then posted to all parts of the world. We just received ours last week!


Opening the box started the display instantly! The entire liner of the box is meant to frame the experience of your commemoration poppy and start the story right away.  (wonderful design concept!)



There is a certificate of authenticity...


... and a wonderful brochure of the entire anniversary event. 


The interior allows for three poppies but there was our one nestled in bubble wrap and its own little cubby hole in the centre.


The poppy is a substantial size and the red paint coating is quite thickly applied. Just some spots where it rested to dry. But when you consider the sheer numbers made, fired and painted, the quality is amazing.  The black rubber centre pieces also come along if you wish to mount it.


Then I saw our extra bit of history!   The flowers stood out doors in wind, sun and rain for months and so were washed and dried.....but some small bits of Tower of London grass still clings to the edge of the petal!


We won't be washing or removing this!

The day the poppy arrived, we received this email from  Blood Swept Lands and Red Seas: (there was a lovely picture and logo at the top but I removed that in case of copyright)

We are absolutely delighted to announce that the ceramic poppies from the installation Blood Swept Lands and Seas of Red have all been sold.

To date over 860,000 poppies have been delivered to their new owners. We are making the final few UK deliveries over the next week, with all international deliveries expected to be completed by the end of April.

A project of this size and scale has been both rewarding and challenging. We are grateful for your patience while the poppies were being delivered.

Each of the service charity partners has received a staggering £1.2m and you can find out here how they are already using this money to help their causes. We anticipate that this figure will rise even further once we complete our accounts.

The project officially comes to a close on 10 April 2015 but further information and support, if required is available on the following links:
  • For information about poppy delivery, contact our delivery partner at this page.
  • For product information about the ceramic poppies and work by Paul Cummins, contact this email address.
  • For information about the Tower of London Remembers project, visit this page.
On behalf of the whole team and our charity partners we offer our heartfelt thanks for all your support.
Paul Cummins Ceramics Blood Swept Lands and Seas of Red CIC

Historic Royal Palaces is an independent charity that looks after the Tower of London, Hampton Court Palace, the Banqueting House, Kensington Palace, Kew Palace and Hillsborough Castle.

Paul Cummins is an international ceramic artist with a passion for hand-making ceramic pieces inspired by nature. Over the last ten years Paul has worked on over 30 commissions, exhibiting all over the world.
Tom Piper has been Associate Designer for the Royal Shakespeare Company since 2004, and was closely involved in the redevelopment of the Royal Shakespeare Theatre. His theatre credits include over 30 productions for the RSC, including the award-winning History series.



So, some of the money we paid went to charitable British Servicemen organizations. I have a cousin who served in the British Army and served in Bosnia and the first Gulf War.  We are very happy with all aspects of the Anniversary project.

Some extra links for you to cruise:
  • Take a video tour of the Tower of London
  • See how the poppies were made in this video   (see part way down the page.)
  • A photographic display of the dismantling of the project here 


~*~*~*~*~*~*~*~*~*~*~


Please meet my Dad, who was the little baby Frank being held by his Dad by the Tower of London.


... and here he is modelling his new silk / yak fine herringbone twill scarf, woven by me.


Sadly we have received medical word that Dad won't be with us for many more days or weeks as he transitions into most likely a hospice setting.   

I know you'll understand if I may not post very often for the next while as we visit and spend time with Dad and family, but I will continue to weave when I can as I find that calming.   Its a long eight yard  continuous warp for  2/2 twill plaid towels and I'll post about them once they are complete.