The trouble with winter snowfall and rain is it brings many cloudy days and the sun can be a rare commodity. Well, I had these finished runner set aside and I was waiting for the sun to appear. I was ready, camera in hand!
I was able to weave three runners, and all finished up as sixty inches long and fifteen inches wide. Two have hems and one has a twisted fringe (for variety). This time I wove a much longer hem allowance and after doing my usual turn overs, I must say I like it much better. I will add this to my repertoire for the future.
The warp was 10/2 mercerized cotton (Valley Yarns from Webs) in a natural colour. My sett was 28 epi. It had some extra twist to it and was a bit energized when it came time to beam it, and again later when twisting the fringes. Smooth, no knots and held up well under tension with no breakage. All in all, a good experience .... which is good as I have ordered some more! 😁
The draft is a twelve shaft design based on a variation of M's and W's and I have used it before with great success. Normally it produces a series of medallions but I have isolated a portion of the treadling and repeated it. Its fully reversible. Hemstitching and a neat tight hand sewn hem means you are hard pressed to see which is the 'right side'. Does it matter?
The weft used in this runner is taupe 8/2 tencel. Its suits the natural cotton but gives good contrast to show the pattern.
The table runner below is also fifteen inches by sixty inches but has a three inch fringe. The weft is tencel again, this time one of the newer colours "birch". Its a lovely soft silvered green.
The contrast is softer too. I really like this one!
The last picture has the cloth flipped to show the reverse.
The last runner was woven with 10/2 UKI Supreme mercerized cotton in a medium grey. Crisply twisted cotton makes for a totally different feel to the cloth and also a sharper definition of the pattern.
Again, the larger hems.
Below is the reverse pattern. Both sides looks equally good to me! Both the taupe runner and the cotton runner are sold already so the new owner can decide which they like more.
The studio is all set up now and I must say that my knee replacement (and other joint replacements) are feeling pretty good now and so I have returned to twelve shaft drafts again and the heavier treadling with few problems. My problem now is getting more weaving done and so have more inventory. Rather embarrassingly, its selling as fast as I make it. Nice problem to have huh? Better get busy.....
I have a new book acquisition; a belated Christmas gift. My daughter and SIL had given us an Amazon gift certificate and I chose this book based on Frances L. Goodrich's studies on early American Coverlets and Counterpanes.
As with the earlier book: Frances L. Goodrich's Brown Book of Weaving Drafts it shows the old draft and a clear modern version that is easier to read, and therefore, easier to weave and reproduce yourself. Its wonderful so much effort has gone into preserving these old drafts and weaving history,
Its well thought out and printed on quality paper. My book is a gently used one but apart from a few minor scratches on the cover, its as new. I'm looking forward to making my way through and admiring Frances's work. That's her in the last picture. Her research efforts help us to understand our collective weaving past, and to know where you're going, you have to know where you have been.
Wow, very nice, very great sample.
Have a nice day and good weave
Stunning runners Susan. I can just picture them on a beautiful wood table or buffet.
What stunning weaving!
Thank you so much for sharing!
HI Susan I just love your weaving, as I live in South Africa with a Rand/dollar exchange rate, I cant just buy the book because I like the cover, I weave on 8 shafts, will it be use able for me.
Hi Marlene.... fair enough! I simply searched the internet and found this review:
This collection of nineteenth- and early twentieth-century weaving drafts from the Southern Highlands region of Appalachia includes 112 overshot drafts and drawdowns, and 31 drafts and drawdowns for the all-white summertime cotton bedspreads called counterpanes. Color photos of the original samples are shown side by side with valuable modern translations of the drafts, which enable today's weavers to make them. A vibrant example of our weaving heritage, these drafts were originally gathered in the nine states of the Southern Highlands region between 1892 and 1918 by the legendary Frances L. Goodrich. Handwoven counterpanes and coverlets were important possessions, and often were the only item of beauty in the women's otherwise impoverished living conditions. These are drafts Goodrich carefully collected but did not include in her classic Brown Book. Dozens of vintage photographs of Goodrich, the communities she served, and the women who invented the drafts help bring this part of our American craft heritage to life.
AuthorBarbara Miller,Deb Schillo
Number Of Pages176 pages
PublisherSchiffer Publishing, Limited
I hope this helps you make a decision. Its on eBay.com for $37.50 USD The majority of early coverlets and the looms were all 4 shaft, so your 8 shaft loom will cover these drafts. The only thing holding you back possibly is your loom width...
Thanks for reading the blog!
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