Just Playing.... 🌈 with Colour!

I like to play with my Fiberworks (for Mac) program and try my hand at  creating colour gradients. I know what colours I have on hand, and what I feel looks nice when paired together.   I even like winding it up on the warping mill thread by thread. Weird huh?   😁

This is mineral green, greyed teal, blue Ming and royal  8/2 tencel (from Webs) when blended.   This is the draft I used to wind the colours.  Looks different  but that's because I need to see the colour changes clearly or else go blind trying to see what is next!

I wanted a large open feeling pattern; not so much grids and lines that can occur with some drafts.  This 8 shaft crackle weave suited nicely.   This is draft # 79248  at Handweaving.net

So for the first scarf I used coral 8/2 tencel as my weft. I felt it would pair nicely with the blue's and green's and it didn't disappoint !

But what really woke things up was lemongrass!   It adds "zing"   🍋🌱 and is my favourite of the two scarves!

It was an enjoyable weave, interspersed with Life chores and summer outings.    Fringes twisted up and wet finished.... pressed and trimmed and then time to snap some pictures. 

Coral weft and look how it turned out between the blue and greens!   It's a real chameleon!  The coral looks orange near the greens and pinkish near the blues.

Then it's lemongrass ..... which also changed the under tone colour depending on which side of the scarf you look at.    

It turned out even better than I had in my mind's eye and I can also see other future projects for this draft.   Hard to believe it's just 8 shafts huh? 

Butterfly Scarves 🦋

 You have been very patient and waited for some time.... so right at the top of this post is some 'eye-candy' 🍭

So if I'm down to one loom, and must weave in shorter time increments, then why not have fun with it and try out new ideas, colour blending, new drafts?    So I worked from my existing stash and found three tencel colours that are close in value (depth of shade intensity) and work well with each other.  Why tencel? Well, I have a lot of it and there are some lovely colours to work with.  I used the gradient program in Fiberworks for Mac and did a 3 colour gradation. Some minor tweaks to soften it out and then printed off the colour order.   

I wound the warp one thread or a few more at a time on my warping mill, inching little 'post it notes' across the colour guide.   The draft I had chosen was very open ended for where the colours landed. No points in the draft to hit the mark, so that is a good thing. 

Each of those bouts are hung with 3 pound weights on an 'S" hook. I shifted them every 2-3 feet or so. It was a lot of back and forth but so worth the nicely tensioned warp!

The colours flowed on nicely and looked wonderful! Dark Teal, Iris and Red-Purple

When I took this picture I didn't know that there were two threading errors lurking in that huddle of heddles! 😬

Sleying also had an issue with crossed threads behind the reed.   I was feeling like a real newbie and it seemed like this start was the slowest ever!

Then I finally started weaving and this is what I saw.... I'm weaving it upside down!   So I'm committed to weaving this one, this way at least. The weft is an old gold / bronze age gold (?) 20/2 silk  from Treenway Silks from the stash. 

I end up having some difficulty with the far right teal edge thread. No matter what I tried, it would fray and break.   Advance the warp more frequently, sit closer to the right on the bench, subtley shift the reed in the beater.  I checked for spurs on the dents.   Lifted the floating selvedge up at the end of a session so it doesn't unwind the plies.... and so on.   Eventually, I could see when it was starting to soften, and I would lift and pin the selvedge thread and start again. It was easier to  needle weave stronger ends in than wispy bits of nothing!

Here is the result of the first scarf.... and now you can see the right side.    Its more warp dominant one side, weft faced the other.... but you know, it works nicely to compliment the whole scarf.   The back side does have a ghosting of the pattern visible.  As you can see from the pictures.

So for scarf number two I had to audition some new colour choices....and there was no silk in something suitable unfortunately.   I found  this salmon shade in tencel. They've tried calling it other names such as red clay etc.  I called it the right colour !  I also wove this one upside down and decided that I liked the big reveal when it came off the loom and so would be a surprise. 

The salmon is rather powerful, but still melds all the colours with a blush of colour throughout. It's my favourite of the two scarves.

They measure 9 inches wide by 73 inches long, plus the  swishy fringe.  

This is the draft I used and you may notice somethings are missing.    This is not my draft, or come from a public source such as handweaving.net or other places.    Its not mine to share and credit must be given to the designer / author.

You will find this 16 shaft draft here in this book, on page 122, by Janna van Ledden who designed this and other drafts inside and authored the book.  It has drafts for 8 shaft to 32 shafts and is presented in both Dutch and English. I do recommend reading the section on how to use and read the drafts *first* and to also seriously bump up your heddles on shafts one and two. Or at the very least count them against the draft.  It's a twill and half basket weave as was related to me by Marion Stubenitsky.

There really aren't much for fresh inventive weaving books right now but this book and also Marion's (such as Echo and Iris)  are ones for your book shelf. 

🌷🌷🌷

Abalone Shimmer

 Winter hit here in a hurry.   We were enjoying a regular fall day and the next morning we woke to snow and rather cold temperatures.   It was a shock to us but more so to the trees and garden who were still wearing leaves and in some cases, flowers!    I cut these little rose buds the night before to enjoy in the house and good thing I did or they'd be frozen stiff the next morning.

The snow is gone now thankfully but now we are wrapped in fog and its been here for several days now.  I couldn't see my neighbour's house last night. Its eery and quiet.     It also means there have been delays to getting some pictures taken for you.  

Eventually, it brightened up enough to try my hand at fog photography.   Too much direct sunlight saps the colours out of the subject and so I thought this might just work.... 

This scarf warp was a blending of five colours of solid 8/2 tencel shades: Ming Blue, Aquamarine, Grey Blue, Greyed Teal and Dark Teal.   I used the gradation feature in Fiberworks (for Mac) and after some tweaking, I wound the warp one thread at a time.   I find it relaxing and quite enjoy the process. Seeing the changes build on the warping mill is a treat for the eyes.   This picture from its early start on the loom shows the warp colours best.

The weft is 30/2 silk from Treenway, dyed in a colour called "#42-Velvet Opera".  It was left over from this project.  Its pretty fine stuff so its a slower weave working through repeat after repeat.

But the results are lovely. Its a fine cloth, with a very soft touch.... its as light as a feather!   As you can see, the base warp colours still manage to make their presence known.   The burgundy /wine colour works with the blues on one side and also the teal greens on the other.  This scarf is called Summer Wine.  🍷🍇

Subtle iridescence ?  😊

This picture is my favourite of this bunch.   I guess they could be brighter but sunshine would have drained the colours away.

So.... what to choose for weft for scarf number two?   I had some criteria set: it had to be silk, it had to come from my stash again, and it hand to shake hands with all the colours in the warp.     So I checked my Itten Color Star for a nudge in the right direction. Then I got digging through my silk bins....    I found an antiqued apricot 20/2 silk I bought from Etsy shop "Sericin" some time ago. I think they may even be naturally dyed.    I wound some up and did some test weaving..... and liked what I saw!

I had one weaver who saw this picture and she described it as abalone..... and so its called Abalone Shimmer. As you can see from the pirn in the picture, the silk weft is also not dyed to one base colour but it varies in tone, which adds so much more depth to the overall affect.    It also seems to help in blending the warp colours better so they seem to flow.   Its thread magic!  

And the final scarf?   Well, you can see for yourself..... and like a favourite child, I took more pictures of this one than the last.     (oops)

The pattern is an 8 shaft twill progression and uses only 8 treadles. To get this length of repeat is a lot of dancing on the treadles in twill runs to and fro, progressively in one direction, then another. 

Someone thought it was a 16 shaft twill so all the dancing was worth it! 

My husband took some picture of the scarves too and he took the one below which I really like.  Its shows all the nuances of colour.  I told him I was going to try my hand at photography in the fog and I think he didn't want to be left out of the experiment.

So what's happening in the studio now?

I have a single scarf in silk and tencel again on the Spring and more table runners on the Megado loom that have a 348 repeat or 15 inches.  😳    Three repeats gives you a whole runner!  Plus my legs are getting quite the work out.   They, the runners that is,  are coming along well.

I'm about to wind another colour gradation  as I really like the effect and its using what I have on hand which is a good thing.   

I have succumbed to more yarn and have some dandelion yarn coming.... and also green tea.   This new use of other plant fibres just fascinates me.    Now to come up with a project for that.   I'll decide when it arrives and I have it in hand.

Stay warm.... and keep your shuttles moving! 

Trials and Tribulations ~ Copper Glow and Magenta Mist

About a week ago I uploaded these pictures getting ready to write a blog post. I was blissfully ignorant of the trials and tribulations ahead.  These have become the last pictures I can access on my computer until I find out if my back up drive has them or not.  

Let me back up here.... (pun intended)  😊

I set up my computer that night to do a back up to an external hard drive and woke the next morning to a back up (great!) and a whole new operating system on my Mac "Big Sur" (really not great).  

That's when I discovered a few things.

• all my Fiberworks drafts have vanished. (over 500 of them)
• Big Sur won't run a computer dobby and the weaving program developers have no work around and no time line of when they will. Apple isn't helping them either.
• All my 6000+ pictures of family and my weaving were in iPhoto and Big Sur won't support it and so they appear to be all gone too.

So, any good news?   some....

• I have a fresh back up on my external hard drive!
• it may have all my photos and a tech *might* be able to locate and shift them to Photo.
• failing that, I have saved emails with all my scanned old family photos.
• Between this blog and ravelry, I can get a lot of my pictures resaved again.
• Its all going to take LOTS of time if the tech can't find and save them first.

So after some chats (okay, many phone calls) with Bob Keates of Fiberworks, I have worked out the following:

• updated the latest version of Fiberworks that will 'shake hands' with Big Sur so I can at least do some design work. It won't however run my Megado....
• to get some thing to run my loom, I needed a Mac with an older operating system on it like High Sierra or Mojave on it.   Every OS after that got difficult as Apple made subsequent changes.
• it just so happens my Hubby has an older 2013 Mac with High Sierra on it...... and subsequently was traded my shiny brand new MacBook Pro (2020) with Big Sur for it.

 💻 😳 🖥 ⌨️

So I have a newly updated version of Fiberworks Silver Plus on the old clunker Mac and (after many calls with Bob) it works and runs my Megado again!  A big thank you to Bob at Fiberworks! 

 Meanwhile, my hubby can't believe his good luck and scooted with his new shiny computer and didn't look back!

Okay, enough of my woes and wailing.     Let's get to some weaving...    This is the scarf project on the Spring loom and just getting started. A rather large size diamond pattern that was approx 7 inches in length for a full repeat.  Its 8/2 tencel in amethyst for warp and Pompeii for weft.  I really wanted to see this colour combination together and it seems to work nicely.   The draft is from Handweaving.net  #74014.   There is a partial draft at the very end.

So it took 10 repeats to get a full scarf, plus some runs for a border at the either end.  There are quite a few pictures here, which normally I would not post them all but just the better ones.  Since they are all I have for now, I'm going to leave them in.

For the second scarf I used magenta as weft and while I like it, it doesn't have the zing of the first.   What comes to mind is 'safe choice' and sometimes you have to take a chance and go for something out of your comfort zone.   

This last picture below was taken as I was stepping back inside and the lighting hit it just right and showed the rich glow.  It might be a safe colour choice but its very elegant nonetheless !